背叛英文版
剧情简介
莲花（崔智友 饰）是一名记者，已经27岁的她从来没有亲吻过，常常已各种理由拒绝男友的亲热。但当她准备好了显出初吻的时候，男友却要与之分手了。正处伤心状态的莲花因为工作的关系结识了摄影记者庆铉（安在旭 饰）。莲花很不屑庆铉那种花花公子的性格，十分讨厌与庆铉相处。 依然伤心的莲花想辞职却遭到上司拒绝。这时性格开朗的庆铉为失意的莲花举办了生日会，交往加深的两人对彼此有了了解。后来一次临时演员的演戏机会，两人依着剧情的浪漫情节，庆铉随即被莲花的突然散发的气质吸引，但后来两人都无法进一步发展关系。直到他们担当临时演员的电影上映……。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。万帕是肆无忌惮的暴徒，从医院逃脱后，隐藏在废弃的老房子里，在那里，他发现另一个同志决定进入这个被遗弃的地方，一座古老的建筑，然而等待他们的确是.....。