及时乐队
剧情简介
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。欧利维亚是一个话剧女演员。最近她不断接到来自不同地方的催帐电话，这些电话都将她错认为一个叫罗瑞拉的女子。但她并不认识罗瑞拉。她多方奔走想要停止这些电话打来，却没有人给她提供帮助。甚至有债主直接上门，将她的房子拿去抵押罗瑞拉的债务。与此同时，她和男友的恋情结束，母亲的老年痴呆症越发严重，工作也得不到肯定。欧利维亚陷入极度苦闷之中。。